In this chapter, Emily Dickinson explores the beauty of summer through vivid imagery and musicality in her poem 'Trees', highlighting the connection between nature and human experience.
Emily Dickinson is an iconic poet from the nineteenth century, known for her unique poetic style and reclusive life. Throughout her lifetime, she published only a handful of poems, totalling 1789, which were discovered and published posthumously. Her work is characterized by unconventional capitalisation, extensive use of dashes, and a rich, lyrical quality.
The poem ‘Trees’ encapsulates the essence of summer, using the imagery of nature to evoke a deeper emotional response. The title itself, ‘Trees’, signifies not just the physical form but represents life, growth, and the interconnectedness of all beings.
Dickinson’s use of capitalisation for pronouns related to the Sun (e.g., Him, Himself) implies a divine quality, attributing personality and will to the Sun. It suggests that the Sun can choose how much to reveal itself, impacting the landscape dramatically.
To analyze the imagery, students can consider how Dickinson employs her lush, descriptive language to evoke feelings that might surpass the static images of a painter. The questions posed for response encourage deeper engagement with the text:
Students are encouraged to dive deeper into the language of the poem. They will compare 'Psaltery' with 'dulcimer' by examining their illustrations and functionalities, concluding how the differences contribute to their significance in literature and music.
For further exploration, reading The Complete Poems of Emily Dickinson will enrich understanding of her work and themes. Each poem can be approached with the perspective of the intertwining relationship between nature and poetry.
By closely analyzing the instruments mentioned and the beauty expressed, students will gain a more profound appreciation for Dickinson’s craftsmanship and her intricate relationship with the natural world.